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Nouveau numéro de “The Moving Image” sur les archives et le cinéma des premiers temps

The Moving Image 16:1, “Early Cinema and the Archives”

Edited by Tami Williams

C’est avec grand plaisir que j’annonce ce numero spécial du The Moving Image, 16.1, Early Cinema and the Archives, édité par Tami Williams, pour la série de Donald Crafton et Susan Ohmer, avec de nombreuses articles par des membres de Domitor, Meredith Bak, Barbara Flueckiger, Eric Hoyt, Sabine Lenk, Dimitrios Latsis, et Colin Williamson, entre autres.

 

Table des matières

Editors’ Foreword by Susan Ohmer and Donald Crafton
Guest Editor’s Foreword: Early Cinema and the Archives by Tami Williams
FEATURES
The Ludic Archive: The Work of Playing with Optical Toys by Meredith A. Bak
The Beginnings of Cinema as a Museum Exhibit: The Cases of the Smithsonian Institution and the Science Museum in London by Dimitrios Latsis
Insight and Axioms: Harold G. Brown and the Identification of Early Films by Sabine Lenk
Who’s Trending in 1910s American Cinema? Exploring ECHO and MHDL at Scale with Arclight by Derek Long, Eric Hoyt, Kevin Ponto, Tony Tran, and Kit Hughes
Data-Driven Research for Film History: Exploring the Jean Desmet Collection by Christian Gosvig Olesen, Eef Masson, Jasmijn Van Gorp, Giovanna Fossati, and Julia Noordegraaf
“Digital Desmet”: Translating Early Applied Colors by Barbara Flueckiger, Franziska Heller, Claudy Op den Kamp, and David Pfluger
FORUM
Reclaiming “Lost” Films: The Paper Print Fragment Collection and the American Film Company by Colin Williamson and Dana Driskel
Ephemera as Medium: The Afterlife of Lost Films by Paul S. Moore
Méliès’s Voyage Restoration: or, The Risk of Being Stuck in the Digital Reconstruction by Martin Bonnard
The Media Ecology Project: Library of Congress Paper Print Pilot by Mark Williams

http://www.upress.umn.edu/journal-division/journals/the-moving-image