News & Events

Table Ronde: In Plain Sight: Race, Nontheatrical Film, and Archives of the Everyday – Jeudi 25 février, 15h-17h (EST)

Nous vous invitons à vous joindre au C21 Media Studies Collaboratory et à la Moving Image Society à l’occasion d’une projection et une table ronde avec les éditeurs et les contributeurs de Screening Race in American Nontheatrical Film (Duke 2019). En s’intéressant à des films jusqu’alors négligés, les intervenants montrent comment les questions ethniques ont été imaginées, abordées et représentées dans les films non commerciaux, qu’ils soient pédagogiques, ethnographiques, amateurs ou familiaux. Ils s’intéresseront aussi à la manière dont les archives présentent une alternative aux récits traditionnels des personnes racisées et de leur représentation au cinéma.

Cliquez ici pour vous inscrire à cette table ronde.

Intervenants: Allyson Nadia Field (Chicago), Marsha Gordon (NCSU), Martin Johnson (UNC Chapel Hill), Laura Isabel Serna (USC), Crystal Mun-hye Baik (UC Riverside), and Colin Williamson (Rutgers).

Book cover for Screening Race in American Nontheatrical Film

Résumé de Screening Race in American Nontheatrical Film (en anglais, de l’éditeur)

“Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films as well as other forms of nontheatrical filmmaking. From filmic depictions of Native Americans and films by 1920s African American religious leaders to a government educational film about the unequal treatment of Latin American immigrants, these films portrayed—for various purposes and intentions—the lives of those who were mostly excluded from the commercial films being produced in Hollywood. This volume is more than an examination of a broad swath of neglected twentieth-century filmmaking; it is a reevaluation of basic assumptions about American film culture and the place of race within it.”
—de Duke University Press

https://uwm.edu/c21/event/roundtable-book-talk-screening-race-in-american-nontheatrical-film/